Amit Varma is a writer based in Mumbai. He worked in journalism for over a decade, and won the Bastiat Prize for Journalism in 2007. His bestselling novel, My Friend Sancho, was published in 2009. He is best known for his blog, India Uncut. His current project is a non-fiction book about the lack of personal and economic freedoms in post-Independence India.
Vinjk points me to a list compiled by The Telegraph of the top ten irritating phrases in the English language. Some of them, I am ashamed to say, I find myself using in everyday speech—though I try to avoid them in my writing. Nevertheless, when I am lazily blogging in the middle of the night, a careless phrase or two may slip through.
In an old essay, The Dialect of a Cricket Writer, I’d written about how cricket writing in India is full of clichés, and how it is every writer’s duty to avoid them. When I wrote about cricket, I tried to do just that. But I hadn’t, at the time of writing that piece, done any live commentary.
A few months after that essay came out, I covered India’s tour to Pakistan for the Guardian, during which I also gave hourly radio updates for the BBC. Those updates were 60 seconds each, and a dude who ran a local Pakistani radio station heard me at work and invited me to do a stint of live radio commentary for him. When we are young, we are foolish, and I agreed.
What a disaster I was! Whenever I needed to say something, only clichés would pop into my head—and being live on air, I had no time to think of alternatives. A batsman french-cut a ball for two, and after describing the shot, I said, “it doesn’t matter how they come, as long as they come.” The game reached its final stages and I said, “Every run is crucial now.” By the time the game was over—I forget who won that one—I was more despondent than the losing side. Amit Varma the writer witnessed Amit Varma the radio commentator in action and unleashed a series of angry WTFs. Amit Varma the radio commentator, duly chastised, resolved never to do live commentary again.
That doesn’t mean that I will go easy on cliché-mongers—professionals have a duty to work at their craft till they get it right, and you will never hear a tired phrase from Harsha Bhogle when he does radio commentary. But it did make me empathetic towards writers who use clichés in their writing. That said, just as I never did radio commentary again, they too should give up writing and find some other work.
Sita Sings the Blues: The Greatest Break-Up Story Ever Told
Dev.D doesn't flinch from depicting the individual’s downward spiral
9 across: Van Morrison classic from Moondance (7)
6 down: Order beginning with ‘A’ (12)