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My Friend Sancho

My first book, My Friend Sancho, was published in May 2009, and went on to become the biggest selling debut novel released that year in India. It is a contemporary love story set in Mumbai, and had earlier been longlisted for the Man Asian Literary Prize 2008. To learn more about the book, click here.


If you're interested, do join the Facebook group for My Friend Sancho


Click here for more about my publisher, Hachette India.


My posts on India Uncut about My Friend Sancho can be found here.


Bastiat Prize 2007 Winner

Recent entries

Elephant in Kerala

So it’s about 10.45pm, and we’re headed in a tourist taxi to Siena Village, a resort a few kilometres…

‘The Businessman Panicked’

I don’t know why, but I find this kind of funny. And what’s with the quote marks in that…

III = III + III

Jonah Lehrer writes in Wired: Here’s a brain teaser: Your task is to move a single line so that…

‘An Offer They Could Not Refuse’

So while everyone’s celebrating the arrival of Akhilesh Yadav and how he’s revitalised the Samajwadi Party and UP Politics,…

Good Old Dravid…

... is done. The next time India walk out to play a Test match, my favourite sportsman of all…

18 July, 2009

‘Copulate, Multiply Like Rats’

There’s an old saying that journalism is history’s first draft, so for all you journalists reading this, I offer these words by Milan Kundera:

… this is the most obvious thing in the world: man is separated from the past (even from the past only a few seconds old) by two forces that go instantly to work and cooperate: the force of forgetting (which erases) and the force of memory (which transforms).

It is the most obvious thing, but it is hard to accept, for when one thinks it all the way through, what becomes of all the testimonies that historiography relies on? What becomes of our certainties about the past, and what becomes of History itself, to which we refer every day in good faith, naively, spontaneously? Beyond the slender margin of the incontestable (there is no doubt that Napoleon lost the battle of Waterloo), stretches an infinite realm: the realm of the approximate, the invented, the deformed, the simplistic, the exaggerated, the misconstrued, an infinite realm of nontruths that copulate, multiply like rats, and become immortal.

Spot on—and this is why I think one of the most important qualities of a historian or a serious journalist is humility: know that the truth is always more complex than it seems, cast aside all preconceived notions, and then do the best you can.

The above excerpt, by the way, is from The Curtain.

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