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My Friend Sancho

My first novel, My Friend Sancho, is now on the stands across India. It is a contemporary love story set in Mumbai, and was longlisted for the Man Asian Literary Prize 2008. To learn more about the book, click here.


To buy it online from the US, click here.


I am currently on a book tour to promote the book. Please check out our schedule of city launches. India Uncut readers are invited to all of them, no pass required, so do drop in and say hello.


If you're interested, do join the Facebook group for My Friend Sancho


Click here for more about my publisher, Hachette India.


And ah, my posts on India Uncut about My Friend Sancho can be found here.


Bastiat Prize 2007 Winner

Recent entries

TED India, Here I Come

Blogging and tweeting will be light for the next few days. I was selected as a TED Fellow a…

Third-Party Dynamism

Ross Douthat, in an excellent piece in The New York Times, argues that America needs more third-party dynamism, particularly…

Why Ayn Rand was a ‘Genuine Capitalist’

I am not a fan of Ayn Rand’s work: Her prose is mediocre and her novels are cheesy. Even…

Why We Are Drawn To Celebrities

Johann Hari, writing in The Independent, weighs the different arguments for why we are so obsessed by celebrity: The…

Tweeting as an Austerity Measure—Tweet Bank 2

This is going to be one long Tweet Bank, because after promising to upload my tweets on IU every…

18 July, 2009

‘Copulate, Multiply Like Rats’

There’s an old saying that journalism is history’s first draft, so for all you journalists reading this, I offer these words by Milan Kundera:

… this is the most obvious thing in the world: man is separated from the past (even from the past only a few seconds old) by two forces that go instantly to work and cooperate: the force of forgetting (which erases) and the force of memory (which transforms).

It is the most obvious thing, but it is hard to accept, for when one thinks it all the way through, what becomes of all the testimonies that historiography relies on? What becomes of our certainties about the past, and what becomes of History itself, to which we refer every day in good faith, naively, spontaneously? Beyond the slender margin of the incontestable (there is no doubt that Napoleon lost the battle of Waterloo), stretches an infinite realm: the realm of the approximate, the invented, the deformed, the simplistic, the exaggerated, the misconstrued, an infinite realm of nontruths that copulate, multiply like rats, and become immortal.

Spot on—and this is why I think one of the most important qualities of a historian or a serious journalist is humility: know that the truth is always more complex than it seems, cast aside all preconceived notions, and then do the best you can.

The above excerpt, by the way, is from The Curtain.

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