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About Amit Varma

Amit Varma is a writer based in Mumbai. He worked in journalism for over a decade, and won the Bastiat Prize for Journalism in 2007. His bestselling novel, My Friend Sancho, was published in 2009. He is best known for his blog, India Uncut. His current project is a non-fiction book about the lack of personal and economic freedoms in post-Independence India.




Bastiat Prize 2007 Winner

Recent entries

Procrastination (and Kumble vs Kohli)

This is the 39th installment of Rhyme and Reason, my weekly set of limericks for the Sunday Times of India…

Saffron is the New Red

This essay, which I co-wrote with Barun Mitra, was published in Pragati, the online magazine I edit, on June 21.…

Politics = Bribery

This essay, which I co-wrote with Kumar Anand, was published in Pragati, the online magazine I edit, on June 13.…

Wonder Woman, the God of War and Public Choice Economics

This essay, which I co-wrote with Kumar Anand, was published in Pragati, the online magazine I edit, on June 8.…

Legalise Prostitution to Fight Trafficking

This essay, which I co-wrote with Manasa Venkataraman, was published in Pragati, the online magazine I edit, on May 24.…

18 July, 2009

‘Copulate, Multiply Like Rats’

There’s an old saying that journalism is history’s first draft, so for all you journalists reading this, I offer these words by Milan Kundera:

... this is the most obvious thing in the world: man is separated from the past (even from the past only a few seconds old) by two forces that go instantly to work and cooperate: the force of forgetting (which erases) and the force of memory (which transforms).

It is the most obvious thing, but it is hard to accept, for when one thinks it all the way through, what becomes of all the testimonies that historiography relies on? What becomes of our certainties about the past, and what becomes of History itself, to which we refer every day in good faith, naively, spontaneously? Beyond the slender margin of the incontestable (there is no doubt that Napoleon lost the battle of Waterloo), stretches an infinite realm: the realm of the approximate, the invented, the deformed, the simplistic, the exaggerated, the misconstrued, an infinite realm of nontruths that copulate, multiply like rats, and become immortal.

Spot on—and this is why I think one of the most important qualities of a historian or a serious journalist is humility: know that the truth is always more complex than it seems, cast aside all preconceived notions, and then do the best you can.

The above excerpt, by the way, is from The Curtain.

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