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My Friend Sancho

My first book, My Friend Sancho, was published in May 2009, and went on to become the biggest selling debut novel released that year in India. It is a contemporary love story set in Mumbai, and had earlier been longlisted for the Man Asian Literary Prize 2008. To learn more about the book, click here.


If you're interested, do join the Facebook group for My Friend Sancho


Click here for more about my publisher, Hachette India.


My posts on India Uncut about My Friend Sancho can be found here.


Bastiat Prize 2007 Winner

Recent entries

The Bombzooka Question

I have three hypothetical questions for you guys. Humour me and try and read all the way through. One.…

A Tale of Two Cities

I was on a CNN-IBN show earlier this evening, where the topic under discussion was the arrest of two…

Thodi Si Tu Lift Karade

I suppose I should display some empathy here, but I can’t help but be a little amused by the…

The Gathering Birds

’Before anyone else was interested in the ornithology of terror he saw the gathering birds,’ Salman Rushdie writes about…

‘A Living Room Full of Guys’

Check out this TED Talk by Tony Porter on how men get trapped in a ‘Manbox’—and women bear the…

13 April, 2010

‘The Same Musical Framework’

The WTF sentence of the day comes from Inder Sidhu of Tehelka, who writes about the band Indian Ocean:

That one of the most original bands in the country has been working within the same musical framework for 30 years is, frankly, shocking.

How bizarre a sentiment is that? I’m guessing Sidhu doesn’t like the Rolling Stones or Metallica or U2 or REM either, all of whom are “working within the same musical framework” that they started out with. And in literature, for the same reason, he probably finds Updike and Roth and Kundera and Munro “shocking” as well. Poor guy. What does he listen to or read?

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Check out the rock band Thermal and a Quarter’s rejoinder to Sidhu.

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Sidhu does have one good sentence in his piece, though: “The fact is that original rock in India is still wandering around with its umbilical cord, trying to find some place to plug it in.” There’s a valid point behind this comment—but it’s not the whole story. (And it could have done without the first four words—leaving those in is sloppy editing—but that’s just me being anal.)

(Links via Shrabonti Bagchi and Devangshu Datta respectively.)

Posted by Amit Varma in Arts and entertainment | India | Journalism | Media | WTF

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