Amit Varma is a writer based in Mumbai. He worked in journalism for over a decade, and won the Bastiat Prize for Journalism in 2007. His bestselling novel, My Friend Sancho, was published in 2009. He is best known for his blog, India Uncut. His current project is a non-fiction book about the lack of personal and economic freedoms in post-Independence India.
This is the 30th installment of Viewfinder, my weekly column for Yahoo! India, and was published on November 25.
Indian journalism stinks right now.
A few weeks ago, a plagiarism controversy broke over at India Today. Content theft is alarmingly common in Indian publications, but this was different because it involved the editor. Aroon Purie’s bylined editorial had lifted a few sentences, verbatim, off a piece written on Rajnikanth by Slate journalist Grady Hendrix. In Twitterverse and the Blogosphere, parallel universes that mainstream mediawallahs generally manage to ignore, poop hit the fan. Eventually, Purie came out with an explanation that was at once shameful and shameless: he was jet-lagged, he said, and someone else had written the piece for him. Hendrix duly ridiculed the explanation (scroll down to his comment here).—it couldn’t have been very hard to mine it for humour.
There were three issues that Puriegate highlighted. One, Indian publications don’t give a damn about plagiarism, which is a sackable offence in any respectable publication in the West. Over the years, established writers like film critics Nikhat Kazmi of the Times of India and Gautaman Bhaskaran of the Hindu have been caught plagiarising, and they have continued in their jobs. (Kazmi was exposed by fellow Yahoo! columnist Jai Arjun Singh; Bhaskaran was outed here.) While those were the high-profile cases, numerous other mainstream media plagiarists have been exposed in the last few years, but none punished. In fact, an India Today journalist was accused of plagiarism not long ago, and the magazine turned a blind eye. All of this amounts to an admission by editors that they do not believe that their writers are good enough to produce quality content under pressure, and so it’s okay to steal. That makes it ironic that they so often take the moral high ground, ranting and raving about corruption in public life, while they harbour thieves themselves.
The second issue, a rather comical one, was that Purie doesn’t write his own editorials. This has been known for years—as many as three different friends of mine have ghost-written his edits in the past—and it’s absurd. Purie is the editor of a major national magazine, and he’s incapable of writing 800 words of coherent text? No wonder he condones plagiarism, as does the institution he has built. No wonder their standards are so shoddy, their prose so uniformly insipid, their journalism so mediocre. And while that last sentence is true of India Today and Purie, it is also true of practically every major Indian newspaper and magazine today—and Purie is probably no worse than most other editors. So there you go.
The third issue, the most serious one according to me, is how the media closed ranks to support Purie. So much so that a column Mitali Saran wrote for Business Standard highlighting just these issues was spiked by the paper. Saran’s column, Stet, had run in BS since 2006, and its distinctive authorial voice made it one of the most highly regarded columns in the country. Then she wrote this piece; BS refused to carry it; and she walked away. Consider what she had written: “When our [media] is confronted with its own scandals, you can hear the clang of a fraternity closing ranks, followed by the weird sound of thousands of furious back-scratchings, followed by the thunderous silence of stones not being thrown in glass houses.”
That thunderous silence can be heard this week as well. I haven’t gone through the transcripts of the Niira Radia tapes, and I don’t have an opinion on the controversy itself. But it clearly is a major issue that should be covered by all major newspapers and TV stations. And yet, as The Hoot and blogger Harini Calamur point out, the media has mostly ignored their story, as if it doesn’t matter. But if this story doesn’t matter, then the media doesn’t matter, because this strikes at the heart of what journalism is and should be about. The media isn’t willing to do this self-examination—for obvious reasons. So much, then, for the notion of our journalists being the watchdogs of society—these dogs guard the burglars who strip our houses bare. Such it goes.
Sita Sings the Blues: The Greatest Break-Up Story Ever Told
Dev.D doesn't flinch from depicting the individual’s downward spiral
9 across: Van Morrison classic from Moondance (7)
6 down: Order beginning with ‘A’ (12)