Amit Varma is a writer based in Mumbai. He worked in journalism for over a decade, and won the Bastiat Prize for Journalism in 2007. His bestselling novel, My Friend Sancho, was published in 2009. He is best known for his blog, India Uncut. These days, he makes his living playing poker as he works on his second novel.
My first book, My Friend Sancho, was published in May 2009, and went on to become the biggest selling debut novel released that year in India. It is a contemporary love story set in Mumbai, and had earlier been longlisted for the Man Asian Literary Prize 2008. To learn more about the book, click here.
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Click here for more about my publisher, Hachette India.
My posts on India Uncut about My Friend Sancho can be found here.
One of the great delights of Indian newspapers is that they often report seriously news that is insanely, rotfl-ly funny. Take the following news headline: ‘Dhoni Keeps Promise, Adopts a Tiger’. On reading this story, you find that India’s cricket captain, MS Dhoni, has adopted a tiger called Agsthya in the Mysore Zoo. Javagal Srinath persuaded him to do so, and Dhoni isn’t the only early adopter: Zaheer Khan has adopted a leopard, Anil Kumble has adopted a giraffe and Virat Kohli has adopted a rabbit. (Incredibly, I’m making up only the bit about Kohli.) The tiger is 9 years old, so any questions about whether it will be nursed by his wife are out of place here. In any case, young Sakshi Dhoni would no doubt not want her Masaba saris to be peed on by a baby tiger, and I’m safely assuming that young Agsthya Dhoni will remain a resident of Mysore Zoo.
As you would guess, this reminds me of MF Husain. The celebrated painter died last week, and the media has been full of tributes to him. (My friend, the prolific Salil Tripathi, wrote four of them: 1, 2, 3, 4. My fellow Yahoo! columnist Girish Shahane also wrote one.) Husain is one of the most recognisable and familiar figures in this country: almost everybody surely knows his name. He was an uber-celebrity, which is ironic for two reasons. One: He was hounded out of the country by goons who believe that goddesses should not be painted naked. (Ludicrously, they believe in goddesses. WTF?) Two: Most of the people to whom he was such a recognisable figure, who would have burst crackers and felt mega-proud if a nobel prize for painting were instituted and given to him, wouldn’t be able to tell you what made him great. They wouldn’t have an opinion on what was notable about his art, and why his paintings are more or less compelling than those by Raza, Souza or Salman Khan. They’d know that he likes to be barefoot because Bombay Times (and Lucknow Times and Kota Times and suchlike) would have mentioned it a few hundred times, and they’d know he liked painting horses and developed crushes on Bollywood actresses from time to time. But that’s it. To them, he’s a celebrity because he’s a celebrity.
It’s a sign of the widespread shallowness of human beings that being celebrated and being a celebrity are two different things. People become celebrities by achieving something, or by being someone’s wife/husband/girlfriend/boyfriend/alleged shag. But once they make it to page 3 a few times, the original reason for their celebrity becomes redundant, and they become ‘famous for being famous’. First they get their 15 minutes of fame for XYZ; then they get a lifetime of fame for being famous for that original 15 minutes, and XYZ no longer matters. Husain the quirky public figure displaces Husain the painter. When he dies, we pretend to be celebrating his work, but we’re really just celebrating his celebrity, which is as much our doing as his. Then we move on to Dhoni’s tiger and Kohli’s rabbit. (I can’t get Kohli’s rabbit out of my mind.)
Why are we so shallow and obsessed with the superficial? One reason, undeniably, is that we are all voyeurs. I watch Bigg Boss religiously when it’s on, and spend as much time on Bombay Times as The Times of India. (This is because ToI is boringly awful and BT is glamorously awful, and I prefer pretty pictures.) Which of us doesn’t clamour for gossip on who is sleeping with who, and who had a wardrobe malfunction resulting in a near nip-slip (as if everybody doesn’t have two nips), or which designer flicked a design from which fellow designer (as if they both haven’t flicked from an old issue of Vogue)? We crave wealth and beauty, and are obsessed by the rich and the beautiful: that is in our genes.
Another possible reason is an evolutionary one, cited by Johann Hari in an old essay on the subject. It is possible, he writes, that “we are hard-wired to seek out Big Men (or Women) and copy them,” an instinct that evolved for our survival and has led to the flourishing of the tabloid media. We are drawn towards success and achievement and beauty; celebrity seems a validation of all these things; so we are drawn towards celebrity, ultimately for its own sake.
This is not necessarily harmful, unless we become stalkers or are stalked by them. But this celebrity thing can be taken too far—consider the temples built for this cricketer or that film star, and the near-religious adulation heaped upon them. This is especially dangerous when they enter politics, extending the halo of their celebrity into a field where you actually need to be competent, and merely being photogenic or charming or controversial or famous isn’t enough. The south has had its share of filmstar-turned-chief ministers, who gather cults, not followings. Their power makes them celebrities, their celebrity gives them more power, and the perpetual motion machine keeps running. This cannot be healthy.
We also make the mistake of assuming that because we are familiar with the public image of a celeb, we are familar with the celeb himself. If a particular cricketer is known for being humble and unassuming, it doesn’t actually mean that he is really that way. His public persona is being mistaken for his personality, which may or may not coincide, and if they do, that is bound to go to his head, so how the hell can he stay humble? Celebrity is tough.
Another mistake we make is assuming that being a celebrity extends your competence in fields other than what you are originally known for. The frequently naive views of celebs are given more importance than they deserve, often in subjects they know nothing about. (For example, Dhoni’s giving a lakh to Mysore Zoo does nothing for animal rights. It is a cosmetic gesture, though I have no doubt it is a well-meaning one, and he’s an awesome cricketer, so Agsthya is now my favourite tiger.) Sometimes, of course, they are sensible, but I am always surprised when that is the case. In general, celebs’ views on politics or economics are staggeringly banal or stupefyingly silly. But then, just as we get the leaders we deserve, perhaps we also get the celebs we deserve.
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Going back to the news item on Dhoni, I notice his quote about the tiger being our ‘national animal’. WTF is a national animal? Is the concept itself not absurd, like a national bird or national sport or national colour or a national brand of underwear? It’s like an insecure nation reassuring itself with a signalling device. Why isn’t the donkey our national animal? There are more donkeys than tigers in India, surely? Is it because donkeys are vegetarian?
Dhoni should have thought about this and adopted a donkey in protest.