Kartikeya Date writes in:
“I know for a fact that some of the more sensational TV channels have told their anchors and reporters that they should treat cricket stories like they do crime stories. To do so, it needs a victim a day and unfortunately for Sehwag, it was his turn last week.”
Why is there this timidity in these reports? Why reveal all this stuff as if one is revealing some big, forbidden secret? Why are the names of the TV channels off limits? I’m sure there are plenty of practical reasons, but none of these are good journalistic reasons for doing so.
It would be very interesting to know what the conditions for the practice of sports journalism are. Sports journalism is an especially interesting phenomenon because it lies at the intersection of sport, entertainment and reporting. This i think is true for every publication from Cricinfo to DNA to The Hindu. The situation of the entertainment is what is at stake.
I think it is futile for the press to desist from reporting on its own. For example, i think there is a desperate need for a detailed report about how the recent Sehwag v Dhoni got reported – which publication first published the story, on what basis they did it, which journalists were involved, how the story gained momentum, what the repercussions of this momentum were etc. It is a story which will never be written by a regular cricket reporter for a number of reasons, none of which are persuasive in my view. In the absence of an ombudsman or a public editor at these newspapers/websites there is no other way to highlight these tendencies.
Just like there is a whole parallel economy that is off the record (black money), there also seems to be a potent parallel economy of news information that is off the record and lies within the community of professional journalists. This is probably true in every country in the world which has an free press run by news media conglomerates. Unlike the black money economy, this one is not illegal. Journalists are accountable to nobody and consequently are not required to have any standards, especially in cricket.
Well, in theory journalists are accountable to readers: if they report crap, readers will stop reading the publications they write for, which is incentive enough for those publications to avoid the crap. The problem is that readers out there want crap. They want man bites dog, they want Match Ka Mujrim, they want heroes and villains in their narratives, blacks and whites, and so on. There’s no getting away from that.
But such readers are everywhere in the world, and tabloids will always thrive. That is not the problem here. The problem is that here, we have little else. In England and the US, you have the tabloids, and you have the respectable press doing good, solid journalism. Here, only Cricinfo does quality cricket reporting and analysis—the broadsheets, with the exception of one or two reporters, are trite when they are not sensationalistic. (Full disclosure: I once worked for Cricinfo.) This is true of cricket commentary as well, where we privilege celebrity over competence, and where the mastery of cliches is considered a virtue.
And so we have cricket as crime, and poor Dhoni as the criminal of the day, until India wins again and he’s a hero again. No wonder the poor chap’s hair is graying.