The Thunderous Silence

This is the 30th installment of Viewfinder, my weekly column for Yahoo! India, and was published on November 25.

Indian journalism stinks right now.

A few weeks ago, a plagiarism controversy broke over at India Today. Content theft is alarmingly common in Indian publications, but this was different because it involved the editor. Aroon Purie’s bylined editorial had lifted a few sentences, verbatim, off a piece written on Rajnikanth by Slate journalist Grady Hendrix. In Twitterverse and the Blogosphere, parallel universes that mainstream mediawallahs generally manage to ignore, poop hit the fan. Eventually, Purie came out with an explanation that was at once shameful and shameless: he was jet-lagged, he said, and someone else had written the piece for him. Hendrix duly ridiculed the explanation (scroll down to his comment here).—it couldn’t have been very hard to mine it for humour.

There were three issues that Puriegate highlighted. One, Indian publications don’t give a damn about plagiarism, which is a sackable offence in any respectable publication in the West. Over the years, established writers like film critics Nikhat Kazmi of the Times of India and Gautaman Bhaskaran of the Hindu have been caught plagiarising, and they have continued in their jobs. (Kazmi was exposed by fellow Yahoo! columnist Jai Arjun Singh; Bhaskaran was outed here.) While those were the high-profile cases, numerous other mainstream media plagiarists have been exposed in the last few years, but none punished. In fact, an India Today journalist was accused of plagiarism not long ago, and the magazine turned a blind eye. All of this amounts to an admission by editors that they do not believe that their writers are good enough to produce quality content under pressure, and so it’s okay to steal. That makes it ironic that they so often take the moral high ground, ranting and raving about corruption in public life, while they harbour thieves themselves.

The second issue, a rather comical one, was that Purie doesn’t write his own editorials. This has been known for years—as many as three different friends of mine have ghost-written his edits in the past—and it’s absurd. Purie is the editor of a major national magazine, and he’s incapable of writing 800 words of coherent text? No wonder he condones plagiarism, as does the institution he has built. No wonder their standards are so shoddy, their prose so uniformly insipid, their journalism so mediocre. And while that last sentence is true of India Today and Purie, it is also true of practically every major Indian newspaper and magazine today—and Purie is probably no worse than most other editors. So there you go.

The third issue, the most serious one according to me, is how the media closed ranks to support Purie. So much so that a column Mitali Saran wrote for Business Standard highlighting just these issues was spiked by the paper. Saran’s column, Stet, had run in BS since 2006, and its distinctive authorial voice made it one of the most highly regarded columns in the country. Then she wrote this piece; BS refused to carry it; and she walked away. Consider what she had written: “When our [media] is confronted with its own scandals, you can hear the clang of a fraternity closing ranks, followed by the weird sound of thousands of furious back-scratchings, followed by the thunderous silence of stones not being thrown in glass houses.”

That thunderous silence can be heard this week as well. I haven’t gone through the transcripts of the Niira Radia tapes, and I don’t have an opinion on the controversy itself. But it clearly is a major issue that should be covered by all major newspapers and TV stations. And yet, as The Hoot and blogger Harini Calamur point out, the media has mostly ignored their story, as if it doesn’t matter. But if this story doesn’t matter, then the media doesn’t matter, because this strikes at the heart of what journalism is and should be about. The media isn’t willing to do this self-examination—for obvious reasons. So much, then, for the notion of our journalists being the watchdogs of society—these dogs guard the burglars who strip our houses bare. Such it goes.

The Big Deal About Blogging

This is the 14th installment of Viewfinder, my weekly column for Yahoo! India, and was published on July 29.

At about the time this column is published, I’ll be speaking at the Asian Bloggers and Social Media Conference in Kuala Lumpur. The organisers contacted me a few weeks ago and asked me to give a half-hour talk on blogging. My first reaction was, Oh no, what can I say about blogging that hasn’t been said already? The subject is so 2004, and anything one can say about it sounds obvious: Yes, blogs make the tools of publishing available to all of us, democratise free expression, and yada yada yada. Yawn.

I thought about it some more, though, and realised that the subject is a very personal one for me. Over the last seven years, blogging has changed my life. As a medium, it has offered me opportunities I did not have as a mainstream journalist. It has broadened and deepened my perspectives of the world around me. It has sharpened my craft as a writer. It has introduced me to ideas and people I’d never otherwise have known. How this has happened, how this medium can be so powerful as to have such an impact on my life, seemed worth exploring. So I agreed to give the talk, which is titled, What’s the big deal about Blogging?

A little background: In 2004, I was a mainstream journalist. I had worked in television and written for newspapers, and at the time was the managing editor of Cricinfo. It was a fun job, and a great place to work in, but I was itching to go beyond the usual formats offered to me of cricket coverage: the match reports, the analysis, the colour pieces, the features, the news reports. These were all categories with familiar templates, and not much scope to go beyond them. I was just beginning to read blogs from around the world, and thought I’d try this new medium. 23 Yards was born.

I had taken baby steps into the medium. I did not use a blogging software for 23 Yards, but improvised within the content management system that Cricinfo then had. Some of my posts, when I look back on them, make me cringe. There are parts that are wordy, preachy, self-important, self-conscious, and lacking of the economy I would come to pride in myself in the years to come.

In December 2004, I started winding up 23 Yards, having decided that I was sick of cricket, and needed to detox. I began India Uncut. I planned it as a filter-and-comment blog. Several times a day, I would link to pieces on the web that I found interesting, and share my views on them. I would intersperse that with ruminations on issues that mattered to me, and occasional reportage, when I was travelling and there was the scope for it.

At the end of that month, the tsunami struck Asia. A friend told me that he was going to travel down the coast of Tamil Nadu, and would be glad if I would accompany him. I accepted his offer, and for the next few days, we went from one tsunami-affected area to the other. I felt the need to write about those experiences, and rather than use my journalistic contacts to write about it for a newspaper or magazine, I chose to blog. I’d keep taking notes, and every time we saw a cyber cafe, we’d stop for a few minutes and I’d upload a few posts.

I returned home to find that my posts had been linked to by bloggers and mainstream publications across the world, and the traffic was stratospheric. Once the initial spike had settled down, I realised that I now had a regular readership. And as I continued to blog steadily, it continued to grow. It didn’t matter that I was nobody, that I was new to this, that India Uncut was so fresh into the world. As long as I consistently put out compelling content, I would have readers. The only limit on me was me.

That period taught me a few important lessons about blogging—and many more would follow in the years to come. I’ve summarised a few of them below. (Note that when I use the term ‘blogging’, I include much of ‘social media’ in it. Twitter is micro-blogging, after all, and I was writing posts of that length and Twitter-like frequency on IU before Twitter existed—many Facebook posts are also effectively blog posts.)

1. Blogging captures the moment. One of the most attractive things about blogging to a mainstream journalist is that it has immediacy, and is not a slave to news cycles. A newspaper journalist, if he sees something today, will find it published tomorrow. A blogger can put it out there within five minutes, and it can be read (and linked) around the world in ten. Today, when everyone’s using Twitter and newspapers handle their websites much better, this doesn’t seem like a big deal. But when I was travelling through coastal Tamil Nadu in 2004-05, in the aftermath of the tsunami, it was huge.

2. Blogging frees you from the dictates of length. In a newspaper or magazine, one is bound by word limits. But when you’re writing for the internet, word limit does not matter. Your posts can be as long as you want, and you do not have to trim needlessly or submit to a sub-editor somewhere doing so. Also, importantly, your posts can be as short as you want. Sometimes, you might want to share a simple thought or an anecdote, which would otherwise not bear expanding into a full-length piece. Blogs allow you that luxury. Consider, for example, these posts of mine from the time of the tsunami: 1, 2, 3, 4. What could I do with them if I wrote for a newspaper?

3. Blogs contain multitudes. A blog post can have added dimensions in ways that a print article can’t. For one, you can use hyperlinks to encompass immense content that might otherwise have to be explained to the reader. Because of that, the need to simplify or give context is reduced—and you provide a valuable service to your reader in the process. Two, whether or not a blog has comments enabled—some high-traffic blogs disable it because they can’t control the noise-to-signal ratio—a blog post or a tweet stands a high chance of becoming part of a larger conversation, with other bloggers linking to it, commenting on it, tearing it apart and so on. There is much value in this both for the reader and the blogger, who can grow intellectually if he has the humility to listen.

4. Blogging enables greater breadth of coverage. This point is especially important during a catastrophic event of such magnitude that it stretches the limits of traditional media. While newspapers and television channels struggled to cover the tsunami adequately with their limited resources, bloggers posted regular updates, and one now-defunct website even posted SMS updates that enterprising citizen journalists sent in. (Those were pre-Twitter days.) More recently, during 26/11, the most immediate coverage was to be found on Twitter, which provided a more vivid and powerful picture of proceedings than the TV channels could manage. Once the channels and newspapers got their act together, it was different, but in the immediate chaos that day, the best news was crowdsourced.

5. Blogging enables greater depth of coverage. The biggest problem with mainstream media, especially in India, is that journalists are generalists. They don’t have specialised knowledge about any subject, and consequently often get the nuances wrong, and are unable to cover any issue in great depth. The reason for this is simple: specialists are busy doing whatever they specialised in, which is, for them, more lucrative or satisfying than journalism. Where is their voice to be heard?

In blogs, that’s where. A specialist may not have time to write for a newspaper, but can certainly blog about the subject, at his own pace and convenience. This vastly improves the depth of coverage of practically any subject you can think of. As an example, see the difference economics blogs like Marginal Revolution, EconLog, Cafe Hayek and the Freakonomics Blog have made to the coverage of economics. Not only do you have specialists from across the spectrum expressing themselves on the subject, but there is also a continuous dialogue on these subjects, happening across blogs and Twitter streams and continents. We take such depth for granted today—but isn’t it astonishing?

6. Blogging keeps Mainstream Media honest. Much of the mainstream media, especially in India, is immune to criticism, but the Blogosphere (and the Twitterverse) does play the role of a watchdog of sorts. Bloggers have exposed plagiarism in the mainstream media (1, 2), regularly catch journalistic sloppiness, and all this attention surely plays a part in making journos (and their editors) wary of screwing up. It’s no panacea, of course, especially in India, where one of our biggest publishing houses continues selling editorial space despite years of screaming from all of us. But we’ll keep screaming, and one day we’ll be loud enough. I hope.

7. Blogging keeps bloggers honest. Bloggers need watchdogs as much as the mainstream media does, and the Blogosphere plays this self-regulating role. Every post you write, every errant sentence, is liable to be taken apart by a fellow blogger somewhere—especially if you write about hot-button topics like politics, economics or Himesh Reshammiya. Trust me, the criticism is never-ending, and while much of it can be superfluous, some of it can also be sharp and precise. The result of that is that you cannot slip up, and be sloppy in either your thinking or your writing.

8. Blogging enables the Long Tail of Opinion. Sorry for the jargon—and this is, again, a fairly obvious point. Blogs enable relatively rare strands of opinion to find their rightful constituency through the internet. Libertarianism in India, for example, was surely non-existent, or at best fragmented, before the internet came about. Thanks to my blogging, though, I discovered a host of fellow libertarians around me, met them in person, made friends with them. Since we kept blogging about our ideas, that way of thinking found an audience out there it would not otherwise have had. Since ideological opponents kept engaging us, we had to question, sharpen and refine those ideas, which made for much better dialogue all around. I use Indian libertarianism as just one example, but this is true for just about any kind of ideas out there—including the Cult of Cthulhu. Fhtagn, okay?

9. Blogging breaks down geographical barriers. This again sounds banal, but let me give you a concrete example of this. A few years ago, the Indian government, in its efforts to ban one particular Blogspot site they found objectionable, ended up blocking all of Blogspot. So suddenly, one day, tens of thousands of Indian blogs were inaccessible to Indian readers—and even their authors. Naturally we kicked up a fuss, and the matter got sorted out. But while that happened, guess who came to our rescue. A group of Pakistani bloggers got together and created and popularised proxies through which all these Blogspot blogs could be viewed by readers in India. (IIRC, they had been through similar censorship issues, and had the tools ready.) We were divided by geography and popular political rhetoric—but united in our commitment to free speech. Blogging enabled us to find (and support) each other.

10. Blogging can help you find your voice as a writer. When you write for a mainstream publication, you are bound by house style, and the whims of the editor or copy editors you work with. The copy you write is seldom quite the article that appears. A blog, on the other hand, is all you. It gives you the luxury of space and time to find and refine your own voice as a writer. You might initially be awkward and self-conscious—but as time passes, you will get into your groove. Pick any blogger who has been writing for a few years, compare his early posts with some recent ones, and you’ll see what I mean.

11. Blogging sharpens your craft as a writer. When you write a blog with one eye on building a readership, you cannot bullshit. At a functional level, your writing has to be spot on. Your readers have countless other things they could be doing with their lives, and hazaar links to click on if you bore them. You cannot be self-indulgent, and your prose cannot be flabby or long-winded.

When you write regularly for such readers, your writing is bound to improve. I wrote an average of five posts a day for the first few years of my blogging—my frequency has dipped alarmingly since, alas—and have probably written more than 8000 posts across blogs and platforms. That kind of practice is bound to have an impact on your writing. Many of my early posts make me cringe today, and I’ve clearly improved hugely as a writer. And as I keep writing, hopefully I will keep improving. (Also see: Give Me 10,000 Hours.)

12. Blogging rewards merit. As I learned after my coverage of the tsunami, the blogosphere is meritocratic. Not only is there no entry barrier, all you need to do to build a readership is consistently produce compelling content. It is my belief that writers on the internet invariably get the audience their work deserves. (Size may not always be an indicator of quality, as a good niche blog may have less readers than a so-so mainstream blog, but my point is that it will find its potential readership.) The internet is viral, social media is social (duh!), and the word gets around.

13. Blogging expands your world. From a reader’s perspective, the sheer variety of content that blogging enables introduces one to ideas and content we may not otherwise have come across otherwise. There’s a lot of such content out there, and over time we find out own filters to navigate this content. Thanks to blogs, I’ve learned much more about the world than I otherwise would have.

From a blogger’s perspective, the world expands as much. Most of my close friends today are people I met through blogging—many of them also bloggers. At a personal level, this is what I cherish most in my journey as a blogger—the people I have met, the friends I have made. Much as I mock the term, maybe there is something to be said for ‘social’ media after all.

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Earlier pieces on blogging:

In Defence of Blogging

Blogging Tips From a Jaded Veteran

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Previously on Viewfinder

The Oddly Enough Species

The Beautiful Game of Poker

Beauty and the Art of Winning

Football and a Comic Marriage

Beware of the Cronies

Indian Liberals and Colour Pictures

We are All Gamblers

Homeopathic Faith

Give Me 10,000 Hours

Match ka Mujrim

The Man with the Maruti 800

Internet Hindus and Madrasa Muslims

The Hazards of Writing a Column

The Oddly Enough Species

This is the 13th installment  of Viewfinder, my weekly column for Yahoo! India, and was published on July 22.

We’re a weird species that takes itself far too seriously, and it is my theory that if a true picture of the human race is to be found in journalism, it will emerge in the odd news sections of most papers and news sites. In today’s column, rather than focus on a serious world-changing topic that requires your immediate intervention, let’s look at some of the odd news from around the planet.

Reuters’ ‘Oddly Enough’ section is a reliable source of laughs—and revelation. Take this story headlined ‘Chinese police beat official’s wife by mistake’. Here’s what happened: the lady in question tried to enter the building where her husband, “a provincial law enforcement officer,” works. The cops outside, “assigned to guard the office building and ‘subdue’ petitioners”, thought that she was a petitioner and set about subduing her. According to a local report, “a strong wave of fists rained down on her for more than 16 minutes.” She ended up in hospital with “a concussion, and damaged brain and nerve tissues.”

The report says that “ranking police officers apologized profusely”, and a Communist Party chief explained, “This incident is a total misunderstanding. Our police officers never realized that they beat the wife of a senior leader.” Beating anyone else, of course, is totally okay.

Now, that’s a story in the weird news section. But I don’t think it’s weird at all. I think it’s good journalism that goes to the heart of the society it reports on, and illustrates the system of governance and the role of power. Also, it has resonance beyond China.

Another weird headline from the same section: ‘Bridge game fights “led man to murder wife.”’ This story is about a 52-year-old man who stabbed his wife to death following arguments that were ostensibly about her bridge-playing capabilities. He and his wife apparently played much social bridge together, and a fellow player said that he had “started drinking heavily which led to ‘vicious’ criticism of his wife’s prowess at bridge and a deterioration in his own game.” Once, in the middle of a card game, he “shouted at his wife and threatened to throw her off the balcony.” Eventually, he killed her.

At one level, this is just a weird story. At another, it’s a portrait of a relationship that is fairly typical—marriages of this sort are common, and I’m sure every reader of this column knows a couple where the woman is forced into a submissive role by an insecure, demanding prick of a husband. That this one involved arguments about bridge and ended in a stabbing make it unusual—but apart from that, it’s commonplace.

Another headline from the same section: ‘Romantic comedies affecting off-screen love lives.’ It seems that “a poll of 1,000 Australians found almost half said rom-coms with their inevitable happy endings have ruined their view of an ideal relationship.” An Aussie ‘relationship counsellor’ has said, “It seems our love of rom-coms is turning us into a nation of ‘happy-ever-after addicts.’ Yet the warm and fuzzy feeling they provide can adversely influence our view of real relationships.”

The tyranny of the imaginary over the real is reflected not just by romantic comedies, but also by porn. Women have long complained that men get idealised notions of sex and female bodies by watching porn, and that regular women can’t match up. (It’s probably truer that porn can act as a substitute for real-world intimacy rather than a benchmark for it.) This works both ways, of course, as few men have organs quite as extravagantly elongated as some male porn stars do, but women seem to prefer romantic comedies to porn, and I suspect they expect more from their men with regard to romance than sex. (The ideal man is gifted at both, but is either gay or married.)

You can go look up such weird news in that Reuters section, or websites such as Fark.com, or even in all our local newspapers, which are full of them. They reveal human nature as well as the state of our society far better than all the serious news out there about politics and economics and so on. For example, in our Indian papers today, we can read about the female Congress MLA breaking flowerpots in the Bihar Legislative Council and having to be dragged out. We can read about Sachin Tendulkar’s blood being distributed along with a special edition of his biography. Or about how “bugs and roaches” set off a “passenger revolt” at a train terminus. All of this is weird, yes—and all of this is us. This is how we are.

Previously on Viewfinder

The Beautiful Game of Poker

Beauty and the Art of Winning

Football and a Comic Marriage

Beware of the Cronies

Indian Liberals and Colour Pictures

We are All Gamblers

Homeopathic Faith

Give Me 10,000 Hours

Match ka Mujrim

The Man with the Maruti 800

Internet Hindus and Madrasa Muslims

The Hazards of Writing a Column

Adnan Sami’s Dogs

It’s a bit disconcerting that newspapers should report stuff like this—and that people would want to read it. What is it about other people’s dirty linen that we can’t stop staring. Bhala iski kameez

Match ka Mujrim

This is the fourth installment of Viewfinder, my weekly column for Yahoo! India.

What is the job of a journalist? An idealistic reader would say that it is to report the news, to put the facts of the world on record. A jaded news editor would say, it is to tell stories, ideally sensationalistic ones, that capture the attention of the reader. These stories are often a spin on the truth; and sometimes they may be outright false. A reporter’s brief is often to turn banal facts into gripping drama—and if there is no easy story to be had, then to manufacture one.

We see this in the way sports is covered in India. You might think that a sporting encounter is dramatic by itself, and does not need embellishment or hyperbole. But news editors seem to believe that readers not only want dramatic narratives, they want those narratives to be simple. (I wrote about this in the inaugural Viewfinder as well.) A cricket match may be decided by a number of complex factors, and the loser most often does not play badly, but simply gets outplayed by a better team. But this complexity does not make for a good story.

The most crass illustration of this came a few years ago, during an India-Pakistan series, when a news channel started finding the Match ka Mujrim (‘Villain of the Match’) in a post-match analysis show. Cricketers aren’t Mujrims, and on most days, even when matches are lost heavily, there may not be any blame to be assigned. In sport, shit happens. But no, it’s more fun, allegedly more engaging, and what’s more, far easier for a lazy thinker, to affix blame, paint the events of the day in black and white, and move on.

Last year, when India crashed out of the second T20 Cricket World Cup, there were the usual calls for our captain MS Dhoni’s head. When there was no story to be had, the media made it up, such as when, as Anand Vasu reported, “Dhoni’s effigy was burnt in his hometown Ranchi, … apparently it was ‘arranged’ by two channels.” The footage was good—so what if the burning was staged?

The sports pages of our newspapers these days are also full of such nonsense. For the last three days we’ve been reading about an alleged brawl that our players had in a nightclub. Well, as this report indicates, it wasn’t a brawl, and it wasn’t even a nightclub. There was no story in it. But our players had already been painted as mujrims, and of course our journos took that narrative forward.

Another big story of the last few days was about how the BCCI was planning to sack Dhoni from the T20 captaincy. As Prem Panicker eloquently pointed out, it was a fabrication. And it was a particularly ludicrous one, when you consider that Dhoni is also captain of Chennai Super Kings, which is owned by BCCI bigwig N Srinivasan and has chairman of selectors K Srikkanth as a brand ambassador. If Dhoni is sacked from the Indian captaincy, it directly affects CSK’s brand value. Even if he really sucked as a captain—despite some bad tactical calls, I believe he is a splendid captain—he would not be sacked. He could walk on field in a bikini, holding a tennis racket, and he would keep his job. So what a dishonest story to run.

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Besides the lazy reporting, there has also been lazy analysis. Success breeds enemies, and the IPL has been successful, so obviously it has become fashionable to beat up on it. That’s okay, but to blame it for India’s poor performance in the T20 World Cup, as so many commentators have done, is ridiculous. If the IPL did tire out the men who played in it, or get them used to a lower standard of cricket, or fatigued them with its parties, then you’d expect the non-Indian players also to suffer from it. Well, consider the following facts:

The Man of the Tournament in the T20 World Cup, Kevin Pietersen, played in the IPL. The top run-scorers of England, Australia, Sri Lanka, South Africa, West Indies, New Zealand and India were all IPL players. Australia’s miraculous comeback in the semi-final was fashioned by two IPL batsmen. The top wicket-taker of the tournament, Dirk Nannes, was an IPL star. Barring Pakistan, whose players unfortunately missed out on the IPL, every team was driven by its IPL stars.

And yet, at the end, we were the only ones whining.

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I am a purist and prefer men wearing white flannels to those in coloured pajamas, but I’m an admirer of what the IPL has done for Indian cricket. I’m not speaking of how viewership has increased or how it has brought new followers to the game, both of which have happened, but what it has done for the cricketers. Before the IPL, the BCCI ran a monopsony. Young Indian cricketers who wanted to play for India had only one market for their services: the BCCI, via the state associations affiliated to it. It was no wonder that domestic cricketers were so underpaid. The teams they represented faced no competition for their services, and had no incentive to treat them well or pay them handsomely.

That has changed. The IPL has created 10 teams competing furiously for domestic talent, and forced, by competition, to pay them well. The result is that cricket is a viable career option even for players who will never play for India. A domestic journeyman today stands to make up to 100 times as much money as he might have made 10 years ago—and this is all because of the IPL. For this reason alone, I’m a fan.

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That said, there is much that is crass about the way it is covered. Commercial breaks in the middle of overs is pushing it a bit too far, even if the irony is delicious that as the Delhi Daredevils lose their second wicket, Gautam Gambhir and Virender Sehwag are rolling around in the grass, giggling over a call from Vidya.

And I am so glad to see the last of the ‘MRF Blimp.’ I am told that MRF paid an astronomical sum to ensure that the commentators would mention the blimp a minimum number of times during every match. What made this especially bizarre was that the alleged blimp was actually not a blimp, but a tethered balloon. Also, it wasn’t even there at the venue during some of the matches when it was shown, and the broadcasters used stock footage. Imagine that: commentators forced contractually to praise a blimp that is actually a tethered balloon and is not even there to begin with. Next year, for all you know, they’ll put up a tethered balloon shaped like a volcano, and say, ‘Hey look, MRF has brought a volcano to India for the first time! And it’s in the sky! Hey, did you see that? The MRF Volcano just burst!’

And then MRF Ash will prevent the MRF Blimp from taking off.

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There also seems to be a bit of a financial bubble formed around the IPL. Some friends and I parsed the numbers recently, and could not figure out how potential revenues could ever justify the current valuations of the franchises. Sahara paid crazy money for its franchise, and are reportedly planning an IPO for the team. I suppose that explains it: it’s the Greater Fool Theory at play. But will all the franchise owners, in the long run, find greater fools?

In any case, the financial madness around the IPL does not mean that the IPL hasn’t created immense value, just as the bursting of the dotcom bubble did not mean that technology wasn’t transforming our lives. Will the IPL bubble burst one day, or will the IPL continue to thrive? I believe both will happen.

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The IPL somewhat resolves one of the problems with Indian cricket: that it was a monopsony, and cricketers had only one credible buyer for their services. But the other, more serious problem, remains unresolved: that the BCCI is a monopoly.

That is a problem with most national sporting bodies worldwide. They have exclusive rights to the sports they control in the jurisdictions they function in, and that brings with it all the ills of an unfree market. There is no competition to hold them accountable.

In other countries, there are multiple sports that compete with each other for attention, and that can keep the sports bodies honest. But India is effectively a one-sport country. So the BCCI does exactly as it pleases, and much of it is unsavoury. To take just one example, the way it bullied the ICL, and messed with its players lives, was disgraceful. This is a problem, though, that has no solution.

The BCCI is not run on taxpayers’ money—so it’s not accountable to us. It is not a public limited company, and has no shareholders to answer to. The only stakeholders with any control over it are the state associations who elect its office bearers, and their incentives are aligned with continuing the status quo.

In other words, the BCCI is the Match ka Mujrim. And there’s nothing we can do about it, because without this mujrim, we don’t have a match.

Previously on Viewfinder

The Man with the Maruti 800

Internet Hindus and Madrasa Muslims

The Hazards of Writing a Column

The Hazards of Writing a Column

This is the first installment of my new weekly column on Yahoo India, Viewfinder. It’s part of a section of columns that I’ve set up for them: read more about it here.

Welcome to Viewfinder. This is my new weekly column on Yahoo India, one of ten columns that will start appearing on Yahoo from this week. In this piece, I shall tell you a bit about these columns, and what we hope to do differently. Let me begin, however, by telling you about a common problem that all columnists face, which we will also have to deal with: the problem of arrogance.

The act of writing for an audience is an act of hubris. When you set out to fill an empty page, you assume that the words you write will have some value, that your thoughts will move readers from one paragraph to the next, and keep them turning the pages (or scrolling down). How presumptuous is this? What leads me to imagine that my thoughts are worth your time?

Reporters who write for the news pages can plausibly claim that their writing has value because they are setting out, as is often said, the first draft of history. The facts that they report are the essential raw material from which we manufacture the story of the world. But columnists make claims on your time with nothing to offer but opinions; perhaps an argument for this or that; a worldview they want you to share. Why should their opinions be worth more than yours?

One conceit that a columnist might have is that his calling is to help you make sense of the world. Reality is complicated and confusing, and no one has the time or resources to figure it out on their own. To construct narratives that make it all simple and explicable, the columnist might say, does you a service—and it’s damn hard to do.

Well—yes and no.

There are a number of traps inherent in creating such narratives, and most of the opinion columns I see in the daily papers fall into them. They have implacable opinions on whatever they write about; they exude certainty; contributing to a public discourse that is severely polarized, they choose black or white. They construct simple narratives of a complex world—and when the columnist gets lazy, simple can fast become simplistic.

A couple of years ago I gave up writing my column for Mint, Thinking it Through, to pursue what was pretty much my life’s only serious ambition: of writing novels. I instantly felt much more comfortable—and honest—there. In literature, one embraces complexity and ambiguity and can eschew certainty. Good or bad don’t have to be distinct entities. The cause of everything need not be clear. Even in a whodunnit, these days, guilt need not be assigned. Most importantly, one need not pretend to have all the answers.

Literature is my natural habitat and I remain primarily a novelist. But given the chance to set up a section of columns for Yahoo India, and to write one of my own, I decided to take it up as a challenge to produce work that does not fall into these familiar traps. Here, then, are some of the things we’ll keep in mind to make sure that your time spent reading us is worth it.

One: We will not simplify needlessly. Too much of the journalism we see around us is driven by the hunt for narrative. What’s the story? Complex narratives do not sell; simple ones are easier to create and sensationalize.

Take the last general elections in India, for example. The narrative that the media has sold us is that the Congress made massive strides and that the BJP was decimated. But take a deeper look at the numbers and you’ll realize that how flawed that story is. As Devangshu Datta wrote in Business Standard, the vote share of the Congress went from 26.5% to 28.6%; the BJP dipped from 22.2 to 18.8: not a seismic shift at all. That the UPA gained so many seats is because of a number of diverse reasons, such as the changing pattern of local alliances that split the opposition vote in many places, such as in Maharashtra.

This happens in every election. Politics in India is now essentially local, and the people of India do not vote as one. And yet, after every general elections, the media talks of a national ‘mandate’ and so on. There are no mandates in national politics – except in the mind of the lazy reporter.

We will watch ourselves for this tendency to take relief in simple storylines. In a complex world we will set out, with a deep breath, to examine that complexity.

Two: We will not talk down to you. Many columnists, high on the power of their megaphones, tend to condescend to the reader. We will watch out for this. We will not treat you like a student in a classroom or the faithful attending our sermon, but as equals sitting across us in our living rooms. Accordingly, we shall feel free to adopt a more personal tone. The columns I like reading the most are those in which I get a sense of a person behind the column, not just a worldview or a body of opinions. That is what we will try to give you.

Every alternate Friday, for example, Jai Arjun Singh will write a column on cinema, Persistence of Vision. But this won’t be the typical film column: He will be writing on his journey as a film-lover, how he fell in love with different kinds of movies, and so on. It will be a personal narrative, and to me, that is what will set it apart. The book critic Sanjay Sipahimalani alternates with him on Fridays with his column, Dead Tree Diaries. Sanjay won’t be writing just about the world of books, but his world of books: how he became a serious reader, his moments of illumination regarding voice and point of view and other such things in literature, the different stages in his reading and so on. If you love books, I promise that you will find it more worth your while than the standard round-up of what’s been happening in the world of books.

Three: We will aim to be timeless, not just topical. Most newspaper opinions pieces are purely topical; and therefore, ephemeral. We will aim to write pieces that you can read five years later and still enjoy. Sure, as most columnists do, we will address current affairs. But while doing so, we will also try and examine bigger ideas and greater truths.

For example, Nitin Pai, known for his sharp analysis of foreign affairs, will set out every alternate Tuesday to demystify international relations for you in a column named Pax Indica. Rather than just comment from on high about current affairs, he will explain the different schools of thought in the field, and talk about the prism through which he views geopolitics. Whether or not you agree with him, it will at least be clear to you what his belief system is, and which first principles he draws them from.

Similarly, Deepak Shenoy will set out every Wednesday to demystify the seemingly complex world of money. It is his contention that complex acronyms like ULIP and CDO and BRIC and OECD embody simple concepts that anyone can master, and he will set out to make every reader of his columns an expert in this world. As ULIPs and CDOs will always be with us, I suspect his column archives will always be worth a read.

Among other things, we will also use the flexibility the internet gives us, a luxury newspaper columnists do not have. One of its unique features is the absence of a word limit. However, even though this is an introductory column, I suspect I might be pushing that limit a bit too far right now. So I shall let the columns speak for themselves over the next few days. Meanwhile, with much excitement, let me share the lineup we have for you:

Introducing Yahoo! India Columns

Announcement time: For the last few weeks, I’ve been working as a consulting editor for Yahoo India, helping them put together a few new sections. The first of them, Yahoo India Columns, launches today. I’ve put together a team of 10 columnists, including myself, who will make sure that from Monday to Saturday every week, Yahoo has a column for you. My introductory piece, the first installment of my new column, Viewfinder, is here.

Here’s the full line-up of columns and columnists:

Anything That MovesGirish Shahane links culture and politics (fortnightly, Mondays)

Minority of One—Mohit Satyanand’s private take on public affairs (fortnightly, Mondays)

Corner Plot—Ashok Malik on that great Indian obsession—politics (fortnightly, Tuesdays)

Pax IndicaNitin Pai demystifies the anarchy of international relations (fortnightly, Tuesdays)

Atlas Invested: Deepak Shenoy on the world of money (weekly, Wednesdays)

ViewfinderAmit Varma plays around with frames of reference (weekly, Thursdays)

Dead Tree DiariesSanjay Sipahimalani on the three Rs: reading, writing and Reality. (fortnightly, Fridays)

Persistence of VisionJai Arjun Singh takes you on a night out to the movies. (fortnightly, Fridays)

Mirth VaderAnand Ramachandran discovers the power of the light side. (fortnightly, Saturdays)

StereotypistAadisht Khanna plays the boom box of absurdity (fortnightly, Saturdays)

I’m sure you’re familiar with some of these writers, but the columns they will write for us will take them beyond what they usually write elsewhere. I’ve spoken a bit about that in my column today—and I’m sure you’ll enjoy reading them as the weeks unfold. Watch that space!

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Mint was kind enough to give me permission to retain the title of my column for them, Thinking it Through. But after getting their permission I realised that this column is actually going to be quite different in tone and character. So I’ve named it Viewfinder. What I intend to do with it should take me out of my comfort zone—and I hope you come on that ride with me.

Also, while it appears today because the section needed to launch with it, from next week Viewfinder will appear every Thursday, as Thinking it Through used to. Thor fhtagn!

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Update: Yahoo India’s managing editor, my friend Prem Panicker, has some thoughts on this section.

‘The Same Musical Framework’

The WTF sentence of the day comes from Inder Sidhu of Tehelka, who writes about the band Indian Ocean:

That one of the most original bands in the country has been working within the same musical framework for 30 years is, frankly, shocking.

How bizarre a sentiment is that? I’m guessing Sidhu doesn’t like the Rolling Stones or Metallica or U2 or REM either, all of whom are “working within the same musical framework” that they started out with. And in literature, for the same reason, he probably finds Updike and Roth and Kundera and Munro “shocking” as well. Poor guy. What does he listen to or read?

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Check out the rock band Thermal and a Quarter’s rejoinder to Sidhu.

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Sidhu does have one good sentence in his piece, though: “The fact is that original rock in India is still wandering around with its umbilical cord, trying to find some place to plug it in.” There’s a valid point behind this comment—but it’s not the whole story. (And it could have done without the first four words—leaving those in is sloppy editing—but that’s just me being anal.)

(Links via Shrabonti Bagchi and Devangshu Datta respectively.)

Marriage and Rape

HT reports that a couple of army jawans have been arrested in Pune for gangraping a woman. At the end of that report is the following line:

The incident comes days after a married woman was gangraped in the city.

Why does that sentence need to have the word ‘married’ in it? Does the inclusion of that word change either the impact on the reader or the perceived gravity of the crime?

If so, isn’t that disturbing?

Headline Material

I’m baffled by this Mid Day headline:

Oshiwara gay teen killed

The headline makes it seem that the victim was killed for being gay. But on reading the piece, you’ll find that his sexual orientation had nothing to do with his death. He saw someone getting mugged, tried to help him, and got fatally wounded in the process. That’s all.

So why mention his being gay in the headline?

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Imagine the following headline: ‘Left-handed teen stabbed in Lokhandwala.’ WTF, no?