A friend of mine posted an interesting cartoon on Facebook the other day. A man stood in front of a gigantic empty bookshelf at his friend’s house, peering at three small items on one corner and saying to his friend, ‘Kindle, Nook, Sony Reader… I say, Hardwick, this sure is an impressive library.’ His friend, presumably Hardwick, sat impassively on the sofa, smoking a pipe.
Many of my friends would relate to that. ‘I can never read a book on a screen,’ says one. ‘I need to hold the book in my hand.’ Another says: ‘I love the smell of paper. E-books can never replace the real thing.’ And so on. But these sentiments, noble as they seem, expressed with an air of superiority, as if one is taking a principled stand, are somewhat misplaced. The chief reason for this is a popular misundertanding of what a book really is.
A book is the words a writer writes. Nothing less; nothing more. Everything else is packaging. Whether it’s printed on paper or written on rice, whether its paperback or hardback or a spectral presence in the Kindle app for Android, is irrelevant to the book itself. For centuries now, the dominant form of packaging has involved paper – but books existed before paper did. Media as diverse as clay, stone, bamboo, metal sheets and wood were used to carry the written word, as also was papyrus. Paper was the bold new technology that made all of them redundant; and now we have a newer technology that threatens to replace paper.
So all my friends who prefer printed books to ebooks are not showing a love for books per se, but just a nostalgia for a particular form of packaging. There’s nothing wrong with that – as long as you don’t imagine that feeling that way makes you some kind of connoisseur, like the wine snob who prefers Domaine de la Romanee-Conti Grand Cru to a mere Sula.
Indeed, imagine a novelist pausing in the middle of a paragraph and saying to himself, ‘Let me tweak this sentence structure a bit so that the paper smells better.’ That would be absurd – as absurd as pretending that you are somehow more refined than a guy who reads books on a Kindle because you can smell the paper. Are you a paper-fetishist or a book lover?
I am writing this column from Turkey, where I’ve been spending much time in museums, forts, palaces, mosques, underground caves, hot-air balloons and Facebook. In a place called the Museum of Mosaics in Istanbul, I was amused to see people furiously clicking cellphone pictures of what I thought were pretty mediocre mosaics. (The ones in the Chora Church are better, partly because of their proximity to a marvellous restaurant called Asitane, which I highly recommend if you visit Istanbul, but I digress.) So here’s a thought experiment: if you had a time machine at your disposal, went back to the age when mosaics were being made, cornered a mosaic maker and showed him a 20-second cellphone video shot in these modern times, how do you think he’d react? My hypothesis is that he’d instantly go insane, right there. He would not be able to fathom what just happened. And even if he got over it somehow, he would never make a mosaic again in his life. He would not see in it the charm that we do now. All he would want, more than love, sex, happiness or lamb on a bed of aubergines, would be a cellphone. That’s all he’d want.
Well, we have that.
Mosaics are an old technology that is now redundant; will printed books go the same way? I own thousands of printed books myself, though I am also a Kindle power-user, and my prognosis is that within 30 years, printed books will be like LPs are today: mere artefacts. We love printed books because we love reading, have always read printed books, and associate the joy of reading with the habit of reading printed books. My generation, and the one after, will keep buying them. But the kids growing up in the post-App era, who slide their finger to turn a page, won’t have that same habit or association. For them, it’s a no-brainer: e-books will be both cheaper and more convenient. (Besides, reading devices will also evolve. Although I love my Kindle, the model I use will be fit for a museum in 2040.)
The publishing industry will also be transformed by then. Much of what traditional publishers do now – printing and packaging the book, and distributing it – will be redundant, and the nature of book marketing will also change. The curatorial and editing functions will remain important, but publishers, in whatever form they exist, will get a smaller cut of the price of a book. (Authors will get more.) Books will also be cheaper, though the processes of discovering them, and shaping our tastes, will change in ways we probably can’t imagine now. There’s a brave new world coming up, and there are a lot of trees in it that should dance a dance of woody celebration, for if it were not for technology, we’d be cutting them down for paper. Start the music.