Nikhat Kazmi redefines Verniness

I’ve written before on the mediocrity of the film reviewers of India’s broadsheets, and Nikhat Kazmi illustrates that better than anyone. It’s a pity, in a way, that Jai Arjun Singh busted her for plagiarism: we’re stuck with her original stuff now, and it is monstrous. Consider these lines from her review of 300:

In case your appetite for bloody violence failed to find satisfaction with Mel Gibson’s Apocalypto, just go for 300. You won’t be disappointed because the level of violence, once again, reaches an all new high in this Hollywood flick which transforms war into unadulterated gore. And it does it without losing its aesthetics. So that, you get to see heads being decapitated and flying on screen and humans being impaled, chopped and chutnified in palettes that have been specially tinted to create a canvas where the colour of blood is black and the body count is beyond cognition.

Is a worse sentence possible than that last one, which careens beyond redemption from that first misplaced comma onwards, as if in a parallel universe where grammar and simple writing are vices, not virtues? To top it up, she then writes: “The tale is pre-history.” Pre-history? Hello?

This kind of a review would be understandable from a seventh-standard schoolgirl trying badly to impress with her knowledge of English (probably her second or third language), and her contrived insights. It is sad that our country’s most-read English paper should carry such writing. Why are the editorial standards of our newspapers so terribly low?

(Link via email from Rahul Bhatia.

Previous posts with Purplocity/Verniness: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34.)