Beautiful scatty minds

The piece below by me was published in the issue of Tehelka dated 30/07/05, in a slightly shorter form. It was also posted on India Uncut.

A couple of years ago, a tabloid in one of India’s metros called in a consultant to help them make the newspaper more reader-friendly. “Keep stories short,” he advised. Shorter stories, snappy paragraphs, simple sentences; suck the reader in and spit him out before he gets bored. This is the age of the short-attention span, and we see it all around us.

It’s there in the journalism. Tabloids keep their stories brief. Agency copy often consists entirely of one-sentence paragraphs: news for dummies. Magazines have found that the pages that readers turn to most are the snippetty ones, that don’t make demands on the reader’s time – like the last page of India Today, or the second- and third-last of Outlook. One of the reasons that blogs are gaining in popularity along the world, in fact, is that they cater to the short-attention span: the most popular typically have brief, pithy posts that efficiently encapsulate the subject they’re on about.

We see this also in the way we consume music. Soon, all music will be sold in the form of digital downloads, which is convenient because most people prefer to buy songs rather than albums, preferring to listen to a familiar song they like over and over rather than explore an artist’s oeuvre. It’s all a-la-carte now, and concept albums might soon be the dinosaurs of music. Television channels have also recognised this: MTV India found years ago that their maximum-TRP shows were their so-called vignettes, the two-to-three minute snippets that viewers can consume easily, like MTV Bakra and Filmi Fundas. We are hungry for the easily digestible. Ten-course meals? Sorry, no time, could you summarise please?

Television, in fact, is often blamed as a cause and not a symptom of this. Camille Paglia recently wrote: “The jump and jitter of U.S. commercial television have demonstrably reduced attention span in the young. The Web too, with its addictive unfurling of hypertext, encourages restless acceleration.” But when we talk of attention spans, are we referring to the amount of time we choose to spend on any one thing, or the amount of time we are able to spend on it. Paglia infers that it is the latter; I am not so sure.

Consider that over the last century, there has been a drastic jump in the IQs of humans, across races and gender. There has also been a tremendous increase in productivity, and advances in science and the arts – if we consider new art forms like cinema and popular music. And while every generation moans about “how good things were in our time”, every generation equally, if grudgingly, admits that kids today are smarter than they used to be. Our children will, in most cases, end up more accomplished than us. If short-attention spans are on the increase, and if that is a bad thing, why have we kept moving ahead as a species, and at such a rapid rate?

Scholars like to point to how cases of Attention Deficit Disorder (ADD), the medical term for the disease that people with chronic short-attention-span problems have, are on the increase. But there are two reasons for this: one, reporting and diagnosis of the disease have increased, not the disease itself; and two, Americans have tended, in the last couple of decades, towards excessive pharmacology, treating even minor deviances from normal behaviour as medical conditions. If a kid doesn’t pay attention in class, it’s because kids sometimes are like that, and medication isn’t necessarily the solution. Are we going to medicate kids next because they don’t listen to their parents, or men because their eyes rove, or women because they like to shop?

In short, what I am postulating is this: the genuine medical condition of ADD is not necessarily on the rise, and that most of us who have short attentions spans have them because of a lifestyle that we have to adopt to navigate the modern world efficiently.

The world is full of more information than ever before. Sensory information, intellectual information, information about information. Close your eyes for a second and imagine that you‘ve been taken back in a time machine to 1900. Now think of all the things that you can do to entertain yourself: books you can read (if you’re part of the elite that does), movies you can watch (ha), music you can listen to (live concerts or bathroom singing?), and so on. You get the picture (or not). Today, on the other hand, we are constantly in the middle of a sensory overload.

This is not just true in the case of entertainment, but in every facet of our lives. In this information age, no matter what job we hold, we deal with far more information, from many more sources, and we need to cope with all of this in order to deal with it effectively. The only way to handle it is in a modular way: break up what we have to do into discrete slices and handle them one by one.

In a typical half-hour of leisure, for example, you could have a watch-Coldplay-video module, dash-off-an-email module, fix-up-a-meeting-with-friends-at-Barista-by-SMS module, read-a-post-or-two-at-India-Uncut module and make-coffee-in-microwave-cause-it’s-quicker module. (If you’re a man, these modules would probably be sequential, because men can’t multi-task.) You might find all these activities desirable, and the only way to fit them all in would be to have a short attention span – even if you wouldn’t consciously choose to be that way.

Malcolm Gladwell, in his book “Blink”, wrote about how humans tend to do “thin-slicing”, often making decisions by focussing on a few important variables, and moving on. For example, you switch on MTV, new video is playing. Do you like the song? Your decision is quick: you don’t listen to the song carefully, but quickly, without even being aware of it, evaluate it almost instantly: the kind of melody, the tempo of the song, the voice of the singer, and many other variables you may not even be aware of. (You may not like songs in a minor key, for example, because they depress you.) Don’t like the sound of it? Switch channel. Total time taken: three seconds. Short attention span? If you insist. Impractical? No.

Practicality is the crux of the matter. In the times that we live in, with the lives that we lead, we can no longer devote the kind of time to single activities that we could have 100 years ago. This is not necessarily a bad thing. Because there is much more around us, we can take in much more in shorter bursts, and if we learn to do it well, our lives can be richer as a result. Short attentions spans, apart from those that are chronic and part of genuine ADD, are actually necessary in our times.

If it helps us navigate the chaotic world around us, it also deprives us of older pleasures. Because we don’t have all the time in the world, because we cannot fix too much of our attention on one thing, we want instant gratification. An art critic told me recently of how the manner in which she views art has changed. Earlier, she would linger in front of a painting and give her mind time to absorb all that it could be about. Now, she wants instant gratification. What is this about, in one sentence please? Ok, good. Move on.

This lack of patience on our part is great for marketers. We don’t take the time to explore new things, so we don’t acquire new tastes. We revel in the familiar, which helps music companies and film producers dish out mainstream entertainment that is based on formulae. A rehashing of the familiar demands less effort from us, and is easily digestible; thus, audiences lap it up.

We no longer have the time, and some of us might even have lost the ability, to immerse ourselves in something. Opera, classical music (Indian and Western), classical dance, ballet, all demand immersion, one reason why they are all in danger, in same cases, like opera in the UK, needing state subsidies to survive.

Of course, there is another side to this. Kids today do read Harry Potter books, after all, which are considerably more demanding than Dr Seuss. And could there be anything more demanding than some modern videogames, which are played patiently over months, and even years? It could be argued, thus, that the immersive abilities of young people today, their attention spans, haven’t changed – merely their tastes have. The jury’s out on that, and it’s young, and quite smart. And in a hurry.

The myth of India’s liberalization

The piece below by me was published on June 16, 2005 as an Op-Ed in the Asian Wall Street Journal, titled “India’s Far From Free Markets” (subscription link). It was also posted on India Uncut.

Indian Prime Minister Manmohan Singh is due to visit Washington in a few weeks, and editorialists and commentators have already started writing about the emerging economic power of India. New Delhi’s decision to start liberalizing its economy in 1991 is touted as a seminal event in India’s history, the moment when it threw off the shackles of Fabian socialism and embraced free markets. It is the stuff of myth—and to a large extent, it is exactly that.

While part of India has benefited from being opened up to foreign products and influences, most of the country is still denied access to free markets and all the advantages they bring. India opened its markets in 1991 not because there was a political will to open the economy, but because of a balance-of-payments crisis that left it with few options. The liberalization was half-hearted and limited to a few sectors, and nowhere near as broad as it needed to be.

One would have expected India’s growth to be driven by labor-intensive manufacturing but, almost by default, it instead came in the poorly licensed area of services exports. The manufacturing sector, ideally placed in terms of labor and raw material to compete with China, never took off. India’s restrictive labor laws, a remnant of the socialist infrastructure that India’s first prime minister, Jawaharlal Nehru, put in place in the 1950s and 1960s, were politically impossible to reform. It remains excruciatingly difficult for most Indians to start a business or set up shop in India’s cities.

This is painstakingly illustrated in “Law, Liberty and Livelihood”, a new book edited by Parth Shah and Naveen Mandava of the Center for Civil Society in New Delhi, which documents the obstacles in the way of any Indian who wishes to start a business in one of India’s big cities. Messrs. Shah and Mandava write: “Entrepreneurs can expect to go through 11 steps to launch a business over 89 days on average, at a cost equal to 49.5% of gross national income per capita.” Contrast the figure of 89 days with two days for Australia, eight for Singapore and 24 for neighboring Pakistan.

But often, even this figure is just a notional one, and entrepreneurs find it next to impossible to get a legal permit to start a business at all. Street hawkers and shop owners in the cities often cannot get a license at all. (Even those who do have to comply with draconian regulations that offer so much discretion to the authorities that corruption is inevitable.) They survive by paying regular bribes to municipal authorities and policemen, which are generally fixed in such a way by this informal market that they can barely survive on what they earn, and cannot expand their business or build their savings. They are trapped in a cycle of enforced illegality and systematic extortion by authorities, which results in a tragic wastage of capital. It serves as a disincentive to entrepreneurship, as well as to urbanization, the driving force of growing economies.

Another disincentive to urbanization is how hard it is for poor people to get legal accommodation in the big cities. In Bombay, for example, an urban land ceiling act and a rent-control act make it virtually impossible for poor migrants to rent or buy homes, and they are forced into extralegal housing. The vast shantytowns of Bombay—one of them, Dharavi, is the biggest slum in Asia—hold, by some estimates, more than $2 billion of dead capital. For most of the migrants who live in these slums, India hasn’t changed since 1991. As that phrase from India’s pop culture goes, “same difference.”

India’s policymakers are aware of these anomalies, but it is an acute irony in India that any proposal to reform the bureaucracy has to first wind its way through the bureaucracy. Arun Shourie, a former disinvestment minister and a respected journalist, wrote in his recent book “Governance” that, “proposals for reforming [the] system are adopted from time to time, and decrees go out to implement the measures ‘in a time-bound manner.’ But in every case, the proposal is put through—some would say, it has to be put through—the same mill.”

It is in the nature of bureaucracies, Mr. Shourie points out, to endlessly iterate. He charts how the apparently simple task of framing a model tender document took the government more than 13 years, as drafts of it circulated between different committees and ministries. Anything even slightly more complicated, and with pockets of political opposition to it, like economic reforms, becomes almost impossible to implement. Dismantling state controls is only possible if there is political will and a popular consensus. None of these exist. On the contrary, there is a popular belief that the economic inequalities in India are caused or exacerbated by free markets.

The socialist left, a natural proponent of such views, believes that free markets are the problem and not the solution. India’s communist parties have blocked labor reform, opposed foreign investment and prevented privatization of public-sector units. They naturally have a vested interest in the “license-permit-quota raj,” as the web of statist controls is called. On all these issues they are supported, surprise surprise, by the religious right.

The Hindu right wing, led by the Bharatiya Janata Party and collectively known as the Sangh Parivar, also fears globalization. Its sustenance comes from identity politics, the impact of which is diluted by the opening up of the cultural mindspace to “foreign influences.” If people are busy chasing prosperity and gaining Western liberal values, they will naturally have less time to focus on “the Hindu identity,” and suchlike. Rabble rousers need the masses to be disaffected.

In between the socialist left and the religious right is the Congress, a party which occupies the center of the political space almost by default. Its position on issues is always malleable, and although it is currently the party of government, it leads a coalition that depends on the left for survival. The pace of reforms has not increased since it came to power last year, and is not likely to do so anytime soon. While the world focuses on the metaphorical bright lights of Bangalore, most of the country—indeed, much of Bangalore itself, which has been plagued by power and infrastructure problems recently—remains in darkness.

The dialect of a cricket writer

This article of mine was first published on April 17, 2005 in the Indian Express as “Windbag and the willow”. This was also posted on Indian Uncut, and was shaped by the blogging I did on it all through March 2005.

THE next time you watch a cricket match, listen to the phrases that pop into your head with every piece of action. Have you heard these words before? I don’t know about you, but I am assailed by familiar phrases and sentences when I watch cricket, and I recoil each time one pops into my head. I am a cricket journalist, and it is my job to describe every game of cricket that I write about in a fresh manner, to give the reader a clear picture of what happened. And yet, that is so difficult.

Cricket writing, and commentary, has a dialect of its own which consists of lazy shorthands, cliches that do not evoke what happened in the field of play, but regurgitate banal expressions that dull our mind. It is difficult to escape this dialect, to write outside it, because we have been exposed to it repeatedly over the decades, and we reflexively think in this dialect whenever we watch cricket.

Here are some of the common forms that it takes. One, there are the descriptions of play, or of a situation. These could consist of dead metaphors, like the batsmen being ‘‘on a leather hunt’’, ‘‘using the long handle’’ and ‘‘taking the bull by the horns’’, as the match ‘‘teeters on a knife’s edge’’, as the bowlers ‘‘feel the heat’’. They could be phrases that were innovative when first used in this context, but now evoke nothing, such as when we talk of batsmen ‘‘taking control of the situation’’ or ‘‘tearing apart’’ the bowling or ‘‘seizing the initiative’’, as bowlers try to ‘‘tempt the batsmen into indiscretion’’ and ‘‘snatch the momentum’’.

They could be common descriptions, such as of a man who plays a ‘‘captain’s innings’’ or another whose ‘‘feet are stuck to the crease’’, as the ‘‘the game meanders towards a draw’’. And then there’s the hyperbole: ‘‘it’s all happening here’’, the ball ‘‘sped to the boundary like a tracer bullet’’, and ‘‘when he hits it, it stays hit’’.

Two, there are the aphorisms. ‘‘Form is temporary, class is permanent,’’ they say, adding, ‘‘When you’re in form, make it count.’’ After every bad decision someone is sure to write, ‘‘It all evens out in the end.’’ (That is not just a cliche, but also false.) And every twist in a match is sure to be accompanied by talk of ‘‘glorious uncertainties of the game’’.

Three, there are the adjectives. Certain cricketing nouns always seem to go with particular adjectives, which is why we talk of ‘‘fiery spells’’, ‘‘elegant cover-drives’’, ‘‘crisp driving’’, ‘‘lionhearted spinners’’, ‘‘gritty customers’’ (also a dead metaphor), ‘‘needless run-outs’’ (which run-out isn’t?), and ‘‘metronomic accuracy’’.  These are objectionable not because they are inaccurate, but because they do not convey the particulars of a circumstance. Michael Vaughan, Saurav Ganguly, Rahul Dravid and Yasir Hameed all play ‘‘elegant cover-drives’’ that are different from each other, and it becomes the duty of the cricket writer to convey that difference.

What shocks me as a reader, and saddens me as a writer, is how in many Indian publications mastery of this dialect is considered a virtue. And television has actually sanctified it. For celebrities-turned-commentators, in fact, who have received no training in writing or commentary, the easiest way to cope is to pick up such shorthand. And if you learn the dialect, you are at least never at loss for something to say, for every situation evokes a basket of cliches to choose from. Perhaps this is an art in itself, if an ignoble one, but it does the game, and its followers, a disservice.

Regardless of whether we are writers, and regardless of the context of cricket, the language we use reveals the way we think. Are our ways of thinking fresh? George Orwell, in his famous essay ‘‘Politics and the English Language’’, wrote: ‘‘Modern English, especially written English, is full of bad habits which spread by imitation and which can be avoided if one is willing to take the necessary trouble. If one gets rid of these habits one can think more clearly, and to think clearly is a necessary first step towards political regeneration.’’

Replace ‘‘political regeneration’’ with ‘‘the enjoyment of cricket’’ and that sentiment still holds. And that is why I get angry when people say that cricket is a dying sport. The game is not dying for faults of its own, but we are killing it with the ways in which we think about it, and speak about it.

Cricket is full of dramas, epiphanies, epic passages of play that reveal and celebrate the qualities that make us human. It is we who refuse to see cricket the way it is, and reduce it to banality.

Blogs—The New Journalism

The piece below by me appeared on January 19, 2005 in the Indian Express as “The world according to me”. That headline wasn’t mine, though. I’d also posted it on India Uncut.

Towards the end of December, just after the tsunami struck, I told a journalist friend of mine that I was planning to travel through coastal Tamil Nadu to report on the aftermath of the disaster. “Ah, excellent,” he said, “Which publication you going to write for?”

“I’m not going to write for any publication,” I replied. “I’m going to blog.” He looked at me incredulously.

“Blog” was Merriam-Webster’s Word of the Year for 2004, but I bristle at how they have defined the term, and how most people still think of it: as “an online personal journal”. Blogs may have began, in the late 1990s, in that manner, but they have evolved into a powerful new form of journalism, that offers journalists the scope to do things that they cannot do in other media, and that draws discerning readers for just this reason.

I experienced this when I blogged on my journey through Tamil Nadu on my blog, India Uncut. [These posts are now archived at my sub-blog, India Uncut – The Tsunami Posts.] My normal quota of 800 pageviews a day – pretty good for a month-old blog – shot up to over 13,000 a day when I began reporting from the coast, and my 10 days of reporting from there got me over 100,000 pageviews, thus demonstrating the power of word-of-mouth on the internet. And the efficacy of this new form of journalism.

Here are some of the ways in which blogs stand out from other journalistic media:

One, a blogger has flexibility of space. In a magazine or a newspaper, a journalist is constrained by length – he can’t write too much and, in instances where he might want to share a vignette or a telling observation, he can’t write too little. On a blog, that isn’t an issue.

Two, a blog can contain multitudes. Whenever I write about something or someone, I can insert hyperlinks in my text that allow the reader to go deeper into whatever it is I’m talking about. For example, an obituary of MS Subbulakshmi in print allows you to read just what one writer has written, but an obituary on a blog can link the reader to pieces that expand upon different strands of her life. It can link you to audio clips of her singing, to pictures of her online, to profiles written on her, all without breaking the narrative flow of the text. As a reader, I feel empowered by that. A print journalist can tell you about a journey, but a blogger can take you on one.

Three, a blog has immediacy. When I reported on things that I saw in Tamil Nadu, I did not have to file a despatch to some editor somewhere with a time-lag of hours before it appeared. I could post it on my blog as soon as I finished writing it, from where other bloggers linked to it, and quoted from it, around the world, well before the next news cycle began. Even television reporters do not have such freedom – and video-blogs might well be the next wave.

Four, a blogger has the option to adopt a much more personal tone than a journalist can. Most print publications have a house style which journalists have to adhere to, but on a blog, he can express himself as he wishes, which, in turn, increases the degree of familiarity that readers feel towards him.

Five, blogs are often interactive. An article in print is a journalist talking to a reader. A post on a blog, on the other hand, can be the starting point of a discussion. Discussions on sites that have comments enabled, like AnarCapLib and The Examined Life, are often intelligent, informative and enlightening, with the readers adding enormous value to what the blogger has to say. Everybody learns, and grows, in the process.

I find it odd that so many of the news stories on blogs in 2004 focussed on a “Blogs v Big Media” storyline, which makes for an interesting peg, but is misleading. I don’t think that there is a conflict between blogs and any other journalistic medium. Just as TV did not kill print, blogging is no threat to either print or TV. On the contrary, it enhances both the breadth and depth of the coverage that journalism provides and, as one-day cricket did to Test cricket, it might introduce new skills and values to the older forms of journalism. That can only be good for the reader, and that is all that matters.

Welcome to India Uncut

After much delay, let me finally welcome you to India Uncut!

I first discussed the blueprint of this site with MadMan, who has designed and programmed it, in March last year. Immense procrastination ensued, largely on my part, but we finally got round to working on it a couple of months ago. A brief introduction to each of its sections follows below, taken from my detailed note on how this site came to be and what it contains, “About India Uncut.