<\/a><\/p>\nApril Wheeler appears, in a vibrant performance that will ominously go downhill. Her husband, Frank, sits “biting his fist in the last row of the audience”. Others emerge: the blundering Shep Campbell and the determined-to-be-nice Helen Givens, providing a foretaste of their roles in the carefully-plotted book.<\/p>\n
Observe the aptness, the irony: a book that shows up suburban pretence starts with a theatrical performance that, by definition, is pretence, too. (Correct, class: the scene is a version of T.S. Eliot’s “objective correlative”, which Yates frequently spoke of to his Iowa writing program students.)<\/p>\n
Scrutinise now the pitch-perfect sentences: realism undercut by farce; satirical but not completely. The author cares enough about his characters’ predicaments not to be totally derisive. <\/p>\n
Oh, and the best part? After the chapter is over, you have the rest of this brilliant, tragic novel about the betrayal of promise to look forward to.<\/p>\n","protected":false},"excerpt":{"rendered":"
Title: Revolutionary Road (the first chapter) By: Richard Yates Buy from Amazon.com Pay attention, class. Note the masterful manner in which Richard Yates opens Revolutionary Road, his coruscating first novel … Read more<\/a><\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[57],"tags":[],"yoast_head":"\nSuburban pretence - India Uncut<\/title>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n